After a period of being without a rector, Richard Bray is due to be licensed as Rector of St Anne’s on Wednesday 3rd September 2014. Richard is married to Jenny and has four children: Timothy, Hannah, Samuel and Isaac. Richard is already involved with leading and preaching sometimes on Sundays in his capacity as Associate Curate. He also co-ordinates the home groups and organises the occasional ‘Who let the Dads out?!’ – St Anne’s dads & toddlers playgroup on Saturday mornings.

This week’s ten bell practice had a particularly good turnout. It meant we were able to ring rounds and call changes on ten, Grandsire Triples, plain hunt, Plain Bob Triples, Cambridge Major, Bristol Major, London Major, Grandsire Caters and Stedman Caters.

This practice is normally on the last Thursday of the month from 7:30-9:30pm. All welcome.

It seemed like a great idea at the time – buying Big Wilf’s muffles for the Rotherhithe and Bermondsey bells. It would save lots of time and prevent the frustration of struggling with the buckles, or ringing on the wrong stroke when a muffle slipped… and when the first set arrived, in its unique embroidered storage bag, we loved them! There was just a little proviso – the clappers had to be treated with anti-slip paint before the muffles could be used.

The paint was duly ordered – red, to match the frame at Bermondsey and the existing clappers at Rotherhithe – and arrived, together with pages of instructions about its use, some of which we even read. A date was arranged for the grand application and Andrew L and Morag duly met at Bermondsey to begin the task. The installation of bollards across the churchyard entrances meant that Andrew, who’d come by car, spent the first 15 minutes or so driving round trying to find a parking place, and the next 15 (slight exaggeration) trying to open the church door with his key.

Eventually we were both in the bell chamber, together with extension lead, inspection light, masking tape, blu tack, wire brush, large screwdriver, cleaning spirit, cloths, brushes, paint – and a flask of coffee. When we finally managed to lever the extremely tightly fitted lid off the paint, we were ready to go. One person scrubbing the clappers clean followed by the other adding masking tape and covering the strike points with blu tack, and painting could start. It would have been helpful to have had a friendly contortionist to hand, as getting under the Bermondsey bells requires more flexibility than either of us felt comfortably with. Nonetheless the first coat was – at length – applied, and we made our way to Rotherhithe, carrying all the equipment with us (well, mainly Andrew carrying them actually). Life was somewhat easier there, as there is much more headroom beneath the bells, and we soon developed a routine, facing each other beneath each bell and applying the paint from both sides at the same time.

Trying unsuccessfully to clean the drips of paint which had inevitably ended up over both pairs of hands, we referred back to the application instructions – which mentioned the fact that the paint would “bond to skin” and be next to impossible to remove… our red hands verify the truth of this comment.

A sandwich lunch break gave the Bermondsey clappers time to dry out enough for the second coat to be applied, and this time, with a routine well established, we got off to a great start – working in tandem, one moving the paint pot while the other organised the lighting, then settling down to treat each clapper in turn. We had almost reached the end – the tenor was in sight – when disaster struck. Morag – carrying the paint pot – stood on one of the loose planks, which turned, allowing her foot to slip through the gap and the resulting jerk to spray paint upwards from the pot onto her face and neck. Not wholly reassured by Andrew’s comment that she now looked as though her throat had been cut (Protectakote red paint recommended for anyone wanting good – semi-permanent – Halloween make-up), she attempted to rub it off with a handy cloth but just succeeded in spreading it over a wider area. The good news – it might have looked like an impressive spill, but there was still plenty of paint left in the pot to finish the job!

Taking recourse once again to the instructions the word “acetone” seemed to leap off the page, and Morag rang home for supplies of nail varnish remover, while Andrew painted the tenor clapper. He was then also left to do the entire second coat at Rotherhithe unaided, as Morag returned home to continue scrubbing at her red skin with yet more nail varnish remover.

An eventful day – but all the clappers have now been treated; by Sunday the paint should have fully cured and we’ll be able to remove the masking tape and blu tack and be all ready for our first ring with the new muffles.

This paint really won’t come off!

Halloween?

End result – one of 16!

On Saturday 17th May, Jonathan Slack led a workshop for five ringers to learn the theory and the practice of ringing a new method by learning the rules rather than the blue line.  With coffee in hand, we learned the theory of Double Court Bob Minor – that you don’t dodge with the treble, that you treble bob at front and back, but if the treble turns you from the front or back, don’t dodge – plain hunt out and do places far (4ths) and near (3rds).  Simple!  Then we tried it.  Most of us are are devotees of the blue line, so to dispense with the graphic image and ringing by watching where the treble is proved quite a hard lesson, but a very worthwhile one.  With Jonathan plus five people ringing the method for the first time, it took an hour of attempts before we cracked it, but cracked it we did, and, flushed with success, rang Double Oxford Bob Minor at the first time of asking!

The next DRC training day is Saturday 14th June when simulator sessions will be on offer again.

Docklands ringers held their first quarter peal day on Monday 5th May. The day started at 10am with a quarter of bob triples at St Mary Magdalene, Woolwich, conducted by Jonathan Slack. As several of the band are teachers, this quarter was dedicated to Ann Maguire, the teacher stabbed to death by a pupil in Yorkshire this week. The next was a quarter of bob doubles at 12 noon at St Alfege Greenwich, conducted by Graham Long. A walk through Greenwich foot tunnel took the ringers to Christ Church, Isle of Dogs, where at 2pm, Gillian Harris called a quarter of grandsire doubles. Then on the St Anne’s Limehouse for 4pm for bob triples, conducted by Andrew Clark, which sadly was the only quarter not scored. The day was rounded off with a welcome pint at The Queen’s Head, York Square.

Very many thanks to the sixteen ringers who took part in the day:

Woolwich: Graham Long, Jim Odell, Alan Munden, Gillian Harris, Kevin Turner, Jonathan Slack, Morag Todd and Mike Evans
Greenwich: Graham Long, Trisha Shannon, Pauline Symons, Morag Todd, Kevin Turner, Joe Tilley
Isle of Dogs: Gillian Harris, Mike Todd, Kevin Turner, Greg Rose, Jonathan Gregson, Eva Redei
Limehouse: Andrew Clark, Mike Todd, Joe Tilley, Kevin Turner, Morag Todd, Gillian Harris, Trisha Shannon, Gregory Rose.

The tradition of the belfie – a selfie taken in the tower of the successful ringers – was only continued at the two towers where Joe Tilley rang, being the instigator of this tradition. The rest of us forgot, but here is one Gill took of the band taking a belfie at Greenwich